Gibson Brands has announced today that it has entered into a letter of intent with Roland Corporation and Cakewalk for Gibson to acquire Cakewalk, makers of Sonar, Z3TA+ 2 and other music software.
Gibson Brands CEO Henry Juszkiewicz says that, as part of Gibson, Cakewalk will “enhance their flagship professional products, pursue provocative R&D initiatives, and continue to serve the needs of musicians and producers”.
Following the closing of the proposed acquisition, a new brand, TASCAM Professional Software, will be created to support, promote, and publish Cakewalk’s current and future professional products. The Cakewalk staff and headquarters will remain in Boston as an independent division.
At the 2012 NAMM Show, Tascam introduced the iU2 – a premium audio interface for the iPad, iPhone and iPod Touch. It includes all of the features of Tascam’s best-selling USB audio interfaces, including a pair of ‘great-sounding’ microphone inputs.
The XLR inputs have phantom power for use with high-quality condenser microphones. These feed an onboard microphone preamp and A/D converter for better sound performance than those built into iPhone and iPad – true stereo recording with low noise and less tendency to distort. The inputs also accept line-level signals or you can plug a guitar or bass directly into your device.
In addition to compatibility with iOS devices, the iU2 also works with Mac and Windows computers. A zero-latency monitoring path enables musicians to hear themselves directly through the unit, without any distracting delay. MIDI in and out are provided to interface with synths and drum machines, and a digital output connects to digital mixers or recorders.
At the 2012 NAMM Show, Tascam introduced the DP-24 is a 24-track Digital Portastudio with solid-state recording, a color LCD and channel strip controls to make recording simple so you stay creative.
Up to eight tracks can be recorded at a time through its combination XLR and ¼” combo jacks. Input processing like compression and limiting are available during recording, as well as guitar amp simulation and multi-effects for use with the instrument-level input.
Once recorded, tracks can be viewed and mixed on the large colour LCD and dedicated mixing controls, such as nineteen linear faders and a dozen channel strip encoders.
Two Mixdown effects including reverb and chorus are also available, as well as a mastering effect. Once finished, songs can be transferred to computer over USB or written to CD with the built-in CD-RW drive.
This raises the question: does it make sense to based the user interface of a modern multi-touch digital audio recorder on a nearly 30 year-old hardware design?
Here’s what TASCAM has to say about it:
TASCAM’s Portastudio brings 30 years of easy-to-use home recording to your iPad. Based on the PORTA ONE recorder that revolutionized recording in 1984, the Portastudio app records up to four tracks with a vintage vibe.
Record one track at a time using the built-in mic or a headset microphone connection, monitoring on authentic VU meters. A cassette transport with position counter tracks your position while you mix with level, pan and EQ controls. When you’re ready to mix, the built-in mixdown function saves your song as a CD-quality WAV file. Your mix appears in iTunes when you’re finished, ready to share with friends and bandmates.
A generation of your favorite bands crafted their songs with Portastudios, now it’s your turn. Start capturing your songs with the company that invented home recording using Portastudio by TASCAM.
A backwards looking user-interface like this probably makes sense from a marketing standpoint and may offer immediate usability for people old enough to have experience with hardware Portastudios
But conforming modern apps to the limitations of a previous generation also seems like a lost opportunity to innovate and come up with original ideas for interacting with sound that might be more intuitive and powerful.
Musikmesse 2009: TASCAM, and Garritan Corporation announced the completion of the sale of technology assets relating to GigaStudio, Gigasampler, GVI, GigaPulse and all Giga products.
Gigasampler revolutionized the music industry when it was introduced in 1999 and its importance in the music world cannot be overstated. Giga products enjoy exclusive rights to Endless Wave technology, a patented system which allows large samples to be streamed directly from the hard drive with low latency. Giga became the professional’s sampler of choice for many film, game and television composers, including many high-profile musicians.
The technology looked like it was stuck in a dead-end, though, when Tascam announced it was ceasing development. Continue reading →