
Qneo just released this new demo video for Voice Synth v2 - a specialized synthesizer for creative voice sculpting.
Here’s what’s new in Voice Synth v2:
Continue reading

Qneo just released this new demo video for Voice Synth v2 - a specialized synthesizer for creative voice sculpting.
Here’s what’s new in Voice Synth v2:
Continue reading

Here’s a quick user review, via godmadeusfonky, of the new SpaceLab synthesizer for the iPad.
SpaceLab offers four ways to play: keyboard, graph, guitar, and wind controller. Underneath those interfaces is a fully programmable subtractive synth with oscillators, filters, envelopes, effects, FM, presets, an arpeggiator and full MIDI control.
It?s $.99 in the App Store.

VirSyn has updated Addictive microSynth, a software synth for iOS, adding support for the AKAI SynthStation 25.
With Version 1.1 you can use the AKAI SynthStation 25 as a hardware controller. Use the hardware buttons for scrolling through presets and arpeggios, operating the Arpeggiator and ‘rolling the dice’ to get new patterns with Addictive microSynth’s arpeggiator.
Addictive microSynth is available in the App Store.
Sunday Synth Jam: Coded Sensation is a project, developed by Martin Rille, that explores the idea of turning our bodies into ‘sensible containers’ of information that can be released through body contact.
Futuristic suits, with embedded sensors and audio tape, respond to touch and motion with audio:
Touching, hearing and feeling thus become equally important as seeing; a synthesis of senses become a way of knowing the world. For the moment it is only a possibility; but that is exactly what art should do: envision possibilities and open perspectives, allowing us to became aware of our present and even more of our hypothetic future.
The result is a bit like performance art from The Matrix.
Above, choreographer Amber Gabrielle & Martin Rille perform Coded Sensation.

Reactable’s Martin Kaltenbrunner talks with CDM’s Peter Kirn about the Reactable Live music sequencer & synthesizer.
Is the Reactable a new type of musical instrument? Kaltenbrunner shares his thoughts on this question – and why he thinks that tangible music sequencing is an important new way to create and control music.