About | RSS News Feeds | Feedback | Search

synthtopia  

Home | Forum | News | Music Reviews | Gear Reviews | Articles | Interviews | Artists | Directory | Auction Finder | Downloads


Recent Music Technology Reviews

Bitword Wavefront ReFill for Reason Review

Zero-G Analogue Sequencer Loops

Classic Rock TrackPak: Apple Loops for GarageBand

AXL ThinAmp

Behringer - BCF2000 USB/MIDI Controller

Behringer BCR2000 USB/MIDI Controller Review

Zero-G: Sounds of the 70's

Bixonic Expandora Multi-Stage Distortion Pedal Review

Edirol PCR1 Controller Keyboard Review

Sonic Vision Drum Spirit Sample CD

Roland SP-606 Review: More Than A Sampling Workstation

Mackie Spike Recording System Review

Sounds of Polynesia Virtual Sound Module

FabFilter One Soft Synth

Cakewalk Kinetic Review: Export This Groove

Future Retro 777 - Evil Incarnate, or Just an Awesome Synth?

Korg Electribe ER-1

Korg MicroKontrol 37-Key USB Controller Keyboard

M-Audio MBox

Evolution UC33e USB Controller

Review Index


xml



electronic music spacer

NAMM 2006 Show News

MOTM 101 Noise/Sample and Hold

Synthesis Technologies

The MOTM-101 is multipurpose module for the Synthesis Technology MOTM system. It functions as a flexible noise generator, and it also has a powerful sample and hold section.

The benefit of combining these two functions in one module is that the noise generator is hard-wired into the sample and hold section. This lets you create classic sample and hold effects without needing to patch the two together. While this saves patch chords, it doesn't limit you. Each section can also work independently.

The MOTM-101 is an essential part of any synthesizer system. It is a dual-function module, where the Noise Generator is linked to the Sample/Hold section without the use of patch cords. Each section can operate independent of the other.

The Noise Generator

The noise generator section starts by creating white noise. This is available from a dedicated jack, and is great for making percussion, wave and many other sounds.

The white noise is internally patched into a low-pass filter. This creates pink noise, which is also available at a dedicated jack. Pink noise has a "darker" sound, and is better for using when you need a muted or dulled noise.

The pink noise is also filtered. It is heavily filtered, to the point that it creates an random output. The Random output is useful for modulating anything that needs a little weirdness added. Interestingly, the MOTM-101 also provides a dedicated Vibrato output.

The Vibrato output is the noise filtered so that it will provide sine waves that vary slightly in amplitude and frequency. The frequency centers around 7 cycles per second. This makes it sound somewhat like a natural vibrato. The irregularities make is sound much more realistic and lively than just using a LFO.

One final aspect of the noise section is worth noting. The Noise/Clock switch toggles the source for the vibrato between noise and the internal clock. This doubles your options for the Vibrato output.

Sample and Hold

The sample and hold is also very flexible. An internal clock can be varied with the Clock knob, adjusting how frequently samples are taken. The Trig light flashes with each cycle of the clock.

The sample and hold circuit takes a sample of the voltage each time the oscillator cycles. By default, the circuit samples the built-in noise circuit. The sampled signal is then held until the next cycle.

The In jack lets you patch in an external signal to be sampled. There is also an input for an external clock. This is useful if you wan the sample and hold to trigger at the same rate as another module, such as a keyboard trigger or a sequencer.

Finally, there is a Track/Hold switch. This modifies the way the Sample and Hold works. In Hold position, the module samples with each clock cycle, and holds the signal until the next cycle. In Track position, the output follows the input when the clock is low, but holds it when the clock rises above 1.5 volts.

The remaining knobs let you adjust the level of the output level and adjust the amount of slew, the glide time between subsequent values of the output.

In Use

The MOTM-101 is an extremely useful module. By patching the Vibrato out to a FM in on a VCO, you can add a subtle or for modulating a filter cut-off level, or even pulse width. The noise outputs are great for typical noise effects, but also can be great for adding a little weirdness or irregularity to the output of VCO's. A little bit of the Random output patched into a VCO makes it warble a little, much like a natural instrument. Patching a sequencer trigger into the MOTM-101, and using the S&H output to modulate the sequences filter, results in a classic synth effect that is still an interesting effect.

The completed module is rock solid, with all the regular features of the MOTM line: high-quality jacks and pots, tough as nails paint finish, and nice big knobs and switches. The module is available as either a kit or a pre-built module. The kit is fairly easy to build.

Modules can be purchased directly from Synthesis Technology.

Search for modular synthesizer with the Ebay Auction Finder!


Recent Equipment Reviews

Bitword Wavefront ReFill for Reason Review

11/5/2006

wavefrontThe latest sample library from Bitword, Wavefront for Reason, is a massive, overwhelming ReFill.

Zero-G Analogue Sequencer Loops

4/29/2006

Zero-G Analog LoopsZero-G Analogue Sequencer Loops is a powerful new sound library by Ian Boddy, a synthesist that carries the torch for classic Berlin-school style electronic music.

Classic Rock TrackPak: Apple Loops for GarageBand

7/16/2005

TrackPak Classic RockHal Leonard has introduced a line of TrackPaks, Apple Loops versions of classic songs. Each song includes full tracks for each instrument: bass, guitar, drums, keyboards and other instruments.

AXL ThinAmp

3/25/2005

The AXL ThinAmpThe ThinAmp is only two inches thick, and weighs just five pounds, yet it packs 10 Watts of power, 18 built-in DSP effects, a three-band EQ, and twin speakers.

Behringer - BCF2000 USB/MIDI Controller

1/28/2005

BCF2000This review takes a look at the BCF2000, a USB MIDI control surface with 8 motorized faders, eight rotary controllers and a complement of switches. At just over $200 street price, how good can the BCF2000 be?

Equipment Review Index
 

RECOMMENDED SITES:

120 Years of Electronic Music

Ableton

Access

Akai Music

AKG Acoustics - headphones and microphones

Amazon Free Music Downloads

American DJ Equipment

American Mavericks

Ampcast

Analog Music Zone Guitar FX Projects

Analog Synths

Analogue Solutions

Analogue Systems

Apple Garageband Support

Archive Sound

Ars Technica Garageband Review

Artist Direct

ASM-1 Home Page

Audio Playground Keyboard Museum

Audio Technica

Avalon Design - Preamplifier, Compressor and Direct Input Recording Equipment

Axetopia

Banned Music

Behringer - DJ mixers, professional audio equipment, amplifiers, speakers and monitors

Bent-Tronics

Besonic

Big Briar

Billboard Top Electronica

Blacet

Boss

Cakewalk

CD Baby

Cloned Analog Gear

Computer Music Magazine

Creative Commons

Creative Synth

Cwejman Sound

Cyndustries

Dave Smith Instruments

DeeJayLink

Denon Pro Audio - DJ equipment, mixers and pro turntables

Digidesign

Digitally Imported

DJ Diva, the Topless Skydiving DJ

DJ Sasha

DJ Tiesto

Doepfer

Downhill Battle

Electronic Music Interactive

Electronic Music Societies, Studios and Research Centers

Electronic Scene

Electronics For Music- EFM

eMagic - Logic, Audio and MIDI Interfaces

EMDEF

EMS Synthesizer

E-Mu Systems - eMu Audio Products

Encore Electronics

Epitonic

Evenfall Mini Modular

Event Audio

Evolution

Fractal Music Lab

Free MP3s from Musician MP3

Garageband

Groove Radio

Harmony Central

Hearts of Space

Hot Rod MOTM

Hylander

Hypnotique

iCompositions

Innova

International Documentation of Electroacoustic Music

Internet Archive

JBL Professional - Pro Audio Monitors

Klaus Schulze

Kompressor

Korg

Kraftwerk FAQ

Kurzweil Music Systems

Launch

Legal Torrents

MacBand

Macbeth Studio Systems

MacJams

MacJukeBox

Mackie

MacMusic

Matrix Synth

M-Audio

Maximum MIDI : Music Applications in C++

Metasonix

Michael Stearns

Moby

Modular Synth

Monster Cable

Moog Music

Morton Subotnick

MP3.com.au

MP3it

Music from Outer Space

Music on the Mac

Native Instruments

New RIAA Remix Site Says Bring On Da Noise!

Numark Turntables

Oakley Sound

Ohm

Open Music Registry

OS X Audio

PAiA

Paul Oakenfold

Paul Van Dyk

Paul Van Dyk Fan Site

PC AudioLabs

Pink Noises

Podcasting News

Portia Surreal - The Topless DJ

PowerFX GarageBand Loops

Prophet 64

Reason Freaks

RME Hammerfall

Robert Rich

Roland Keyboards and Electronics

Russkeys

Sennheiser Headphones and Microphones

Share Your Music

SKB Case

SonicCat

Soundclick

Soundtrack Lounge

Steinberg

Stephen Halpern

Steve Roach

Synergy

Synth Museum

Synth Music Direct

Synth Zone

Synthesis Technology

Synthesizers.com

SynthModules

TaDream

Tangerine Dream

TB-303

Tellun Corp

The GarageDoor

The Synth Builders Online Reference

Theremin World

Theremin.info

Thereminvox

Trance Addict

 

Recommended Site Index

 




Home | Electronic Music News | Electronic Music Forum | Electronic Music Reviews | Synth Reviews | Articles
Exclusive Interviews | Electronic Music Artists | Related Sites | Directory | RSS News Feeds
Page Index | About Synthtopia| Link to us | Electronic Music Equipment Guide
Guitars | Bass | DJ Equipment | Drums & Percussion | MP3 Player | Podcasts


2003-2006 SynthTopia. All Rights Reserved.