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Author: Elisabeth

Tracktion Launches Waveform Pro 12.5

The Waveform Pro 12.5 free update adds more options, with more control, to give users more creative possibilities.… Read More Tracktion Launches Waveform Pro 12.5

June 3, 2023Leave a comment

Buchla Announces Three New Music Easel Synthesizers, ‘The Electric Music Box’

Buchla USA has officially introduced three new versions of the classic Music Easel, aka ‘The Electric Music Box’.… Read More Buchla Announces Three New Music Easel Synthesizers, ‘The Electric Music Box’

June 2, 2023June 2, 202322 Comments

Arturia Announces FX Collection 4

Yesterday, Arturia announced FX Collection 4. It features 26 plugins from previous versions, along with four new additions (30 in total). The collection ranges from from enhanced emulations of iconic studio tools to contemporary and experimental effects plugins for music production and creation.… Read More Arturia Announces FX Collection 4

June 2, 2023June 2, 202314 Comments

Waves’s Clarity Vx DeReverb Pro, Clarity Vx DeReverb Plugins Now Shipping

Waves Audio is now shipping the Clarity Vx DeReverb Pro plugin, an advanced AI reverb removal for dialogue and vocals, and the Clarity Vx DeReverb plugin, an instant AI room and reverb removal for voice. These two AI reverb removal plugins bring Waves Neural Networks technology to “new heights.”

June 2, 20231 Comment

Klevgrand Intros Richter Tectonic Compressor For Desktop & iPad

Klevgrand has introduced Richter,  a tectonic compressor, designed to achieve heavy compression with a minimal amount of artifacts.… Read More Klevgrand Intros Richter Tectonic Compressor For Desktop & iPad

May 31, 20232 Comments

NUGEN Audio Releases Aligner Plug-in

Designed to enhance the daily workflow of audio engineers with convenience and speed, the plug-in can perfectly align audio with just the touch of a button.… Read More NUGEN Audio Releases Aligner Plug-in

May 31, 2023Leave a comment

Expressive E Osmose & Plasmonic ‘Are A Perfect Match’

Developer Brian Clevinger, (the creator of both Native Instruments Absynth & RhizomaticPlasmonic), shared this video, demonstrating how to create and control an expressive MPE pad in Plasmonic with the Expressive E Osmose.… Read More Expressive E Osmose & Plasmonic ‘Are A Perfect Match’

May 28, 2023May 29, 20234 Comments

BOSS Intros SDE-3000D, SDE-3000EVH Dual Digital Delay Pedals

BOSS has introduced the SDE-3000D and SDE-3000EVH Dual Digital Delay pedals, two advanced effect processors based on the classic Roland SDE-3000 rackmount digital delay from the 1980s:… Read More BOSS Intros SDE-3000D, SDE-3000EVH Dual Digital Delay Pedals

May 26, 2023May 26, 20235 Comments

MIDI Association Hosts Future Of Music Accessibility Talk May 27

he Music Accessibility Standard Special Interest Group (MASSIG), a project of The MIDI Association, will be leading a live Youtube webinar on May 27.… Read More MIDI Association Hosts Future Of Music Accessibility Talk May 27

May 26, 2023May 26, 2023Leave a comment

Waves Audio Gems Now Shipping

At launch, the collection includes 10 Gems: five included in Waves Essential, and all ten included in Waves Ultimate.… Read More Waves Audio Gems Now Shipping

May 25, 2023May 26, 20234 Comments

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What People Are Talking About

  • Behringer Spice Completes Their Moog Knockoff Trilogy
  • Ableton Intros Push 3 With Optional Standalone Capabilities
  • Behringer Edge Now Shipping With $199 List Price
  • Buchla Announces Three New Music Easel Synthesizers, 'The Electric Music Box'
  • Top 5 Ableton Push 3 Questions Answered
  • Arturia Announces FX Collection 4
  • Tempera Granular Instrument Now Available To Pre-Order
  • Free MicroFreak 5 Firmware Update Now Available To Download
  • AIR Music Technology Intros Jura, "The Synth Of '82"
  • Akai Pro Intros MPC One+ Music Production Center, With WiFi, Expanded Memory & More

Something To Think About

You might consider it a revolutionary idea that, instead of having hundreds more controls and higher quantities of synthesis elements from 40 and 50 years ago like oscillators, filters and envelopes, how about having a better human interface for creating synthetic sounds?

— Roger Linn
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