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Jon Appleton

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Free Music Friday: Anablog has posted free MP3s of a vintage electronic music album, The 1970 Dartmouth Electronic Music Competition.

You can preview one of the tracks below, Richard Allan Robinson’s Ambience:

 
icon for podpress  Ambience: Play Now | Play in Popup | Download

The source material for Ambience was produced on an “instrument” consisting of three electric bass guitar strings strung lengthwise across a long board, with a bridge and a small magnetic guitar pickup at each end. Two modes of sound production were used. One, in which transversely placed metal pipes were rolled up and down the length of the strings, of multiple glissandi. A second, predominant texture was produced by causing a number lengths to “oscillate” or rock across the strings (rather than to roll lengthwise).

This basic recorded material was then extensively transformed electronically by filtering, heterodyning, ring modulation, speed changes, etc., an 6′ finally an overall structure was composed of variously complex superimpositions and juxtapositions of the two basic textural types. A light controlled channel-speaker distributing device used in the original qaudrasonic version further emphasizes this textural contrast in that gliding textures have a predominantly circling movement around the listening area, while the more active, rhythmic textures move disjunctly.

The intention of the piece, originally conceived for performance with the Atlanta Contemporary Dance Group, is to create an impression of actually being swept up in a familiar yet mysterious sound-atmosphere or ambience – perhaps somewhat like the experience of driving alone in a car at night – a sense of increasing absorption and identity with the surrounding sounds – the motor, rushing air, tires on pavement, vibrations, etc. –

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      Translator

      something to think about

      I don’t live in the past at all; I’m always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind. — Brian Eno

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