Ableton Live 12.1 is now in available.
Live 12.1 introduces the new pitch correction and harmonization feature Auto Shift, compact sample player Drum Sampler, sound auto-tagging and more.
It’s a free update for all editions of Live, including Live Lite, plus Push.
Live 12.1 introduces auto-tagging, making it easier to find the right sound in your user library. New tags are automatically assigned to all samples in the library less than a minute long, as well as to VST3 and AU plugins.
Auto Shift, Live’s new pitch correction and harmonization device, lets you manipulate and extract harmonies from vocals in real time. Choose a scale for Auto Shift to follow, and play and make harmonies from any monophonic signal with the dedicated sidechain.
Drum Sampler, Live’s new compact sample player, lets you tweak and enhance drum sounds on the fly. Limiter and Saturator have been redesigned, and the MIDI Editor now allows you to filter and select notes by time, pitch, or a number of other criteria. Two new MPE-specific MIDI Transformations – Glissando and LFO – let you create curves for the MPE parameters of selected notes.
Auto-tagging for all your samples. You can now search your entire user library faster with filters – and there’s no need to tag the samples yourself. Live 12.1 automatically assigns new tags to any sample in your library less than a minute long. VST3 plugins will also be assigned tags based on metadata.
Improved Limiter and Saturator. Limiter gets a complete overhaul – with a smoother release curve making for less distortion, better metering with the improved UI, and the addition of Mid/Side routing, True Peak, Soft Clip, and Maximize modes.
Along with a more focused front panel, Saturator sees the addition of a Bass Shaper curve ideal for low end processing. Drive 808 kicks and sub basses as hard as you like and let Saturator keep the frequencies in check.
MIDI improvements. You can now filter and select MIDI notes by time, pitch, velocity, chance, duration or by a number of other dimensions using a new toolbar in the MIDI Editor. 12.1 also introduces two new MPE-specific MIDI Transformations – Glissando and LFO – allowing you to create curves for the MPE parameters of selected notes.
Ableton Live 12.1 and Push. Live 12.1 comes with a host of updates to Push. With Push 2 and 3 you can now design sounds with more detail and control by mapping Macros, and experiment with a range of different sounds using Macro Variations. Push 3 now also lets you add groove instantly to all the MIDI clips in your Set with a single twist of an encoder.
The new update also brings Live 12’s filtering system to the browser on Push 2 and 3, as well as auto-tagging for samples on Push 3 standalone. Plus, you can now save Default Sets and Template Sets on Push 2 and 3, and organize your Sets by moving tracks and scenes.
Pricing and availability.
Ableton Live 12.1 is available now as a free update for all owners of a Live 12 license.
Finally, yay! The auto tagging and Auto shift for the win!
Fabulous update
Ableton is crushing it with Push3/Move/Live12+, congrats!
I still dream of something that looks like Melodyne in clips. Like controlling MPE modulation but on audio clips. But this looks more immediately usable.
Waiting for todays’s release of Studio One. If it brings all that clip functionality that was leaked I might skip the Live 12 upgrade…. Good times, so many options!
The upgrade is free if you own Live
If you own it why would you skip it?
It was worth waiting for studio one pro 7. Blows ableton out of the water, but 11 with push 2 works fine; that said push 2 integrates nicely as a controller in 7. Visibility problems with instruments and fx and clunky soloing along with lack of functional pitch correction plague ableton. As does pricing.
What really plagues Ableton at the moment is the horrendous browser.