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Author: synthhead

Tiptop Audio & Buchla 277t Signal Delay Not For The Lazy

The Tiptop Audio + Buchla 277t Signal Delay is a Eurorack version of the Buchla 277 from the 1970s. … Read More Tiptop Audio & Buchla 277t Signal Delay Not For The Lazy

May 15, 2026Leave a comment

Bitcrust Brings Classic SID Sound To iOS, Linux, Mac & Windows

Bitcrust is a software synthesizer that’s based on a SID-inspired digital voice architecture.… Read More Bitcrust Brings Classic SID Sound To iOS, Linux, Mac & Windows

May 15, 2026May 15, 2026Leave a comment

Prelude & Fugue For Korg ER-1 Drum Machine

Synthesist Hank Mason shared this live performance of his original composition, Prelude and Fugue for the ER-1.… Read More Prelude & Fugue For Korg ER-1 Drum Machine

May 14, 2026May 14, 20262 Comments

Morphor Echon 6 BBD Resonator Synthesizer

The ECHON 6 is the world’s first polyphonic synthesizer based around BBD (Bucket-Brigade Delay) resonators.… Read More Morphor Echon 6 BBD Resonator Synthesizer

May 14, 2026May 14, 20266 Comments

Hans Zimmer’s CHOOIR Choral Instrument Now Available

Symphonic Elements CHOOIR is a new virtual instrument plugin featuring phrase-based choir, textures derived from sampled male, female, and boys ensembles for use in cinematic and musical productions.… Read More Hans Zimmer’s CHOOIR Choral Instrument Now Available

May 14, 2026May 14, 20261 Comment

Analog Sweden Swen 2 Synthesizer Debuts At Superbooth 2026

The Analog Sweden Swen 2 is a monosynth, featuring a generative sequencer that offers real-time pattern creation and manipulation.… Read More Analog Sweden Swen 2 Synthesizer Debuts At Superbooth 2026

May 13, 20268 Comments

Void9 MÕNAI Offers Multi-Engine Architecture In A Compact, Battery-Powered Synth

The MÕNAI is a portable, battery-powered synthesizer that features a high-resolution display and a combination of keys, encoders, touch strips, and joystick to provide direct control.… Read More Void9 MÕNAI Offers Multi-Engine Architecture In A Compact, Battery-Powered Synth

May 13, 2026Leave a comment

ZENOLOGY GX for iPad Now Available

ZENOLOGY GX for iPad makes Roland’s powerful ZEN-Core Synthesis System available on the iPad, with  a touch-friendly interface and deep sound design tools.… Read More ZENOLOGY GX for iPad Now Available

May 13, 20266 Comments

Akai MPC 3.8 Update Expands The MPC Workflow

Akai has released MPC 3.8, a free update that delivers seamless project compatibility and workflow continuity between MPC hardware, desktop software, and MPC Sample.… Read More Akai MPC 3.8 Update Expands The MPC Workflow

May 13, 20262 Comments

Melancholytron Synth Available Now, Only Makes Melancholic Sounds

It’s inspired by the Mellotron, but really leans into the melancholic sound. … Read More Melancholytron Synth Available Now, Only Makes Melancholic Sounds

May 13, 20265 Comments

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What People Are Talking About

  • It Looks Like Behringer Wants To Copy The Success Of The M-Wave FM-1....And The MPC
  • Elektron Responds To Explosion Of Unofficial Firmware
  • M-VAVE Officially Opens FM-1 Firmware To Developers With New Workbench, SDK
  • Roland n/vision Synthesizer Expands Boutique Line Into Wavetable Synthesis
  • OPEN-1 Promises To Be One Synth For Every Firmware
  • ACME Synthworks XP60 Recreates Classic Oberheim Xpander As A Compact Analog Synth
  • Twisted Electrons FLEXFM Combines FM Synthesis, Sampling & Analog Filters
  • Arturia MiniFreak 49 In-Depth Review - "Well Worth A Look"
  • Teenage Engineering OP-1 Mod Gives It new Synth Engine, Chords, Effects & More
  • Shear Electronics Relic Features Eight Independent Analog Voice Cores

Something To Think About

That’s right. I find that you’re a completely different person as a maker than you are as a listener. That’s one of the reasons I so often leave the studio to listen to things. A lot of people never leave the studio when they’re making something, so they’re always in that maker mode, screwdriving things in—adding, adding, adding. Because it seems like the right thing to be doing in that room. But it’s when you come out that you start to hear what you like.

— Brian Eno
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