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In this ear-melting synth jam, Dream Theater’s Jordan Rudess performs Ra.

Check it out  – but if it melts your ears off, know that you were warned.

via sonnetg:

Watch and learn from the guru :)

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18 Responses to “This Jordan Rudess Synth Jam Will Melt Your Ears Off Of Your Head”  

  1. 1 aer

    it sucks

  2. 2 splump

    agreed with previous speaker

  3. 3 sos

    agreed. Jordan Rudess is highly over rated. How many times can you rehash the same basic song and have a million patch changes that have no type of cohesive glue what so ever.

  4. 4 violetta

    So you don't like prog, huh?

  5. 5 Andy

    f**in utter cack….. this guy should really have a word with himslelf and lay off the acid

  6. 6 Norcal Emu

    Musically it's pretty much all over the map (pretty much a pastiche of themes) but that's all part of the genre. He definitely has chops and can play very musically so I don't know what your comments are about. I would take this any day over a bunch of ripped off loops, beats and prerecorded sound bites from vintage TV all lovingly processed by some "dj." What Rudess is doing (regardless of whether you appreciate the particular genre) takes years to learn and perfect…it's called musicianship.

  7. 7 Sotiris

    As much as i enjoyed the energy of the music, and as much as i admire JR's playing abilities ,,,, my ears have NOT "melted off of my head". Most of the time i enjoy melodies and synth lines that let me hear the notes and the silence between them. There's a lot of beauty to enjoy in slow playing with emphasis on rests and harmonic combinations. My 2c.

  8. 8 zuidi

    You can criticize Rudess for relentlessly promoting himself or for his style of music, but you can't fault his chops. The guy can play his butt off.

    My ears officially melted about halfway through that.

    The king of prog keyboards is still Keith Emerson, though!

  9. 9 dante

    Displays of pure skill are great, if you're a juggler. If you're a musician, it isn't enough. Your end results–your music and how it connects with people–is what matters. And that's quite a different thing from your level of playing skill.

    Can Rudess play? Of course. More importantly, can he play something that has meaning for you? That depends on who you are.

  10. 10 tom Shear

    Great, we get it. The guy can play. How about playing something I'd actually want to listen to?

  11. 11 Norcal Emu

    Paul Jacobs playing "L'Isle Joyeuse" comes to mind

  12. 12 Pierre

    What, no organ solo? He certainly had everything else in there! Still, I'm very impressed but I don't understand how he doesn't have massive carpal tunnel syndrome or something similar based on how his wrists rest nearly on the keyboard. Maybe what we've just seen is his daily warm up routine!

    I wish Mr. Rudess had the opportunity to do more of this kind of work with Dream Theater…

  13. 13 @Magaro

    Yeah.

    That's pretty relevant at Synthtopia.

    Good call.

  14. 14 Pedro

    YES, he can play!…FAST!!!!!!!!!!
    BUT…can he ever make a song like VANGELIS or an album like MIKE OLDFIELD!
    after 2m of music i just lost interest.
    Remember nirvana's " come as you are" intro, now imagine that played by an orchestra:
    Genious, and those guys played very bad, i am pretty sure that they only new half dozen chords.
    well….some guys can play fast, others make music that lasts 100 years!
    Peace

  15. 15 ShredMenace

    Chopin, Debussy, and especially Franz Liszt played fast too, but their music (that's played fast) lasted more than 100 years. I don't think playing fast and music lasting over 100 years are antagonistic to one another.

    Playing fast appropriately with phrasing, articulation, and a good sense of a theme qualifies as something musical. In the case of this video, there's that hint of musicality going on, especially when you're trying to describe the Egyptian Sun God in a shreddy prog way.

  16. 16 wi_ngo

    More notes. I think he definitely needs to play a few more notes.

    All kidding aside… yeah, the guy's got chops like no other, but after a while it all just sounds the same – kind of a wash. And Triton presets? Really? Those are some pretty bland factory-like sounds.

  17. 17 Norcal Emu

    It's interesting because it looks like he is reading his cues from a music stand for each section. Reminds me a little of Tony Banks and the non-improvised improvisations. Maybe this might relate to the lack of dynamism and passion in the playing.

  18. 18 Norcal Emu

    Watched it again. Definitely looks like a MusicReader displaying notation. And my previous comment regarding passion….well I could never sling together a performance this good so take that bit of criticism with a grain of salt.

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      something to think about

      When Mozart was composing at the end of the eighteenth century, the city of Vienna was so quiet that fire alarms could be given verbally, by a shouting watchman mounted on top of St. Stefan’s Cathedral. In twentieth-century society, the noise level is such that it keeps knocking our bodies out of tune and out of their natural rhythms. This ever-increasing assault of sound upon our ears, minds, and bodies adds to the stress load of civilized beings trying to live in a highly complex environment. — Stephen Halpern

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