4DSOUND is a new immersive audio system that allows for evolving changes in three-dimensional positioning of sound.
Despite the emergence of professional and consumer surround-sound systems, most live performances still rely on stereo (or even summed mono) sound, with an audience hearing most of the music from one direction.
4DSOUND is built from expansive array of speakers, a Max-based core, and custom Max for Live devices that allow for sound to be positioned anywhere within the system’s space.
In the video above, 4DSOUND founder Paul Oomen talks about its conception, and Martin Stimming discusses performing with the system. Continue reading
This video, via Nick Maynard of EXPLORING AUDIO, takes a look at using a Tascam Portastudio as sort of sample playback instrument. Continue reading
Roland today announced the HS-5 Session Mixer, a digital mixer and recording interface that lets up to five musicians play and record together, with individual headphone mixes.
Players have individual hands-on control of their personal mix, plus access to reverb and COSM effects for guitar, bass, and vocals. Bands can capture stereo recordings directly to a USB thumb drive, or connect the HS-5 to a computer via a USB cable and record each channel to individual tracks in a DAW.
Additionally, each musician’s personalized settings can be saved for instant recall, providing quick setup for future rehearsals and recording sessions. Continue reading
Erica Synths has released the Matrix Mixer – a new touchscreen matrix mixer, inspired by the EMS Synthi.
Here’s what they have to say about the Matrix Mixer: Continue reading
Livid Instruments has begun taking orders for their Ds1 MIDI mixer. which they first previewed at this past winter’s NAMM Show. Livid developers describe the Ds1 as a “rugged, portable solution for computer-based mixing, production and performance.”
The Ds1 works with any software that supports MIDI. Templates will be available for digital audio workstations such as Ableton Live, Bitwig Studio, Logic and more. The mixer uses the familiar layout of an analog audio mixer to introduce MIDI control, and affords more options for signal routing and sound processing when using digital audio workstations, allowing the user instant access to their mix, effects, and instrument parameters.
Slate Media Technology has announced RAVEN 2.0 Control System, for the RAVEN series of Multi-touch Production Consoles.
Or as they like to call it, ‘the future of studio control.’ Continue reading
At the 2014 NAMM Show, Alesis is introducing the Multimix 4 USB FX Mixer, a 4-channel mixer with effects and USB audio interface. Continue reading
Avid has introduced the new Avid S3L, a modular system, comprised of a high-performance HDX-powered mix engine running VENUE software and AAX DSP plug-ins, scalable remote I/O, a compact EUCON-enabled control surface, and Pro Tools software for integrated live sound mixing and recording.
The S3L system is designed to be easy to take on tour or install in any club, theater, house of worship, or other performance venue to efficiently and easily respond to a broad range of demands. Continue reading