Mellotron Variations Tiny Desk Concert

The latest NPR Tiny Desk Concert features Mellotron Variations, playing Agent Cha Cha, Dulcimer Bill and Pulsar.

Mellotron Variations is an all-Mellotron band, made up of Robby Grant on Mellotron; John Medeski on Mellotron; Pat Sansone on Mellotron; and Jonathan Kirkscey on Mellotron.

The Mellotron is a mechanical sample playback instrument, introduced in 1963. It was based on the earlier Chamberlin, which was introduced in 1956.

Video Summary:

We’ve never had an original Mellotron at the Tiny Desk until now. Much like a Hammond organ, it’s big, heavy and fragile. When they fired it up, with all its mechanical gears turning tape loops and moving play heads, the 15-year-old geek in me blissed out.a

The Mellotron was a magical 1960s invention that predates sampling. It’s a keyboard instrument, with each piano key triggering a tape loop — the sound could be a string ensemble, a flamenco guitar, a saxophone and so much more. Think about the flute sounds on The Beatles’ song “Strawberry Fields Forever” and you get the idea.

When Mellotron Variations keyboardist Robby Grant and I began discussing an all-Mellotron Tiny Desk, we quickly realized that having four of these beasts wouldn’t fit behind my desk. So Robby Grant, Pat Sansone (Wilco) and Jonathan Kirkscey performed on the portable — and still incredible-sounding — 21st-century version of the instrument. At the same time, John Medeski (Medeski, Martin & Wood) tackled the original beast.

The sonic landscape they produce as Mellotron Variations is ingenious and impressive. It’s a score with the audience as collective filmmaker, each one of us capable of creating imagery in our heads to this music of mystery and sometimes comedy. In the words of my teenaged self, “it was a trip.”

10 thoughts on “Mellotron Variations Tiny Desk Concert

  1. That was great! I love the Mellotron, but playing the real thing OR planning a set like this with the Resch versions requires you to plan ahead carefully. The sound’s presence forces you to think more ergonomically. John Medeski’s pitch-bending reminded me of Patrick Warren’s Chamberlin playing with Michael Penn. He’d play with its case open and use his thumb on the flywheel for pitch-bends & other effects. Totally organic and wild. I’ll play it safer with M-Tron Pro, thanks. No tape snarls!

    1. I had a hammond C3 on a line frequency modulator (from 400hz military gear). I used my PAIA LFO generator to pitch bend the organ.

  2. My friend Robby et al have been doing this for while, and the results are stunning.
    Thank you for sharing their Mellotron saga!

  3. What a wonderful performance!

    Can one of you sonic geniouses browsing Synthtopia tell me which preset or sound Robby Grant (second player from the right) uses for the drums that begins about 12:30 in the video?

Leave a Reply