Shut Up & Play: Sounds Of The Alesis Andromeda A6 Analog Synthesizer

Sound designer Dirk Rohde (XU Sounddesign) shared this ‘shut up and play’ style demo of the Alesis Andromeda A6, considered by many to be one of the greatest synthesizers ever created.

Sounds are from all the Alesis Andromeda A6, with some external reverb and delay effects.

If you’re interested in the sound library, contact Rohde via the information he shared with the video.

15 thoughts on “Shut Up & Play: Sounds Of The Alesis Andromeda A6 Analog Synthesizer”

  1. It sure would be nice if Alesis made a new Andromeda with a large amount of memory for large quantities of patch storage – maybe even a removable SSD drive and/or USB sticks, tighter pots since there are so many knobs, improve the sequencer and definitely make the unit BLACK. Just dreaming.

    1. And/or a new Ion with many of the same.

      I’ve spoken to a lot of people there, and many are equally frustrated. It’s all InMusic Corporate Conglomerate culture. There’s no incentive to make something super cool, just cheap and sellable.

    2. It seems so strange, at this point, that Alesis made one of the greatest analog synths of all time, and that they were making them when analog was sort of dead at most other companies.

      The Andromeda must have been somebody’s passion project, because I don’t remember Alesis doing anything like it before or after.

      1. You can’t think of them like a regular synth company. They rent factory space rather tan doing their own manufacturing, meaning it costs them money to run a unique item and saves them nothing by running something that’s been out of production. The owners literally do not care about music, they just make stuff to hit a market. The cheaper stuff is better because it’s lower risk. The more similar it is to other stuff on the market the better.

    1. This is one project we can almost guarantee the original manufacturer will not make again or even give is a sequel to, so I am 100% behind Behringer cloning this. Also the original units have too many problems for me to spend car level money on one.

  2. I’m dubious about this being taken on as a new hardware synth. It would seem hard to offer it for less than several thousand bucks, since it was a flagship to being with. As software, though, it could have long legs. I’d take that up the same way I went for a Chroma. The demos make it feel all the more inspiring.

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