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Category: Synthesizers

Access Virus TI Classic Synth Review – ‘One Of The Greatest Synths Of All Time’

Does the Access Virus TI make most of today’s DSP-based synth look wimpy? … Read More Access Virus TI Classic Synth Review – ‘One Of The Greatest Synths Of All Time’

August 7, 202233 Comments

‘Switched On: Bob Moog and the Synthesizer Revolution’, A New Biography, Now Available To Pre-Order

The new book is the first complete biography of the synthesizer pioneer’s life and career.… Read More ‘Switched On: Bob Moog and the Synthesizer Revolution’, A New Biography, Now Available To Pre-Order

July 25, 20229 Comments

Learn Subtractive Synthesis With The Moog Mavis

The concepts covered apply to essentially any vintage analog synthesizer.… Read More Learn Subtractive Synthesis With The Moog Mavis

July 20, 2022July 20, 202219 Comments

A Complete Guide To The Behringer TD-3 Bassline Synthesizer

Here’s a complete guide to the Behringer TD-3 bassline synthesizer, a knockoff of the classic Roland TB-303 that makes some interesting updates to the original design.… Read More A Complete Guide To The Behringer TD-3 Bassline Synthesizer

July 18, 2022July 18, 202234 Comments

Moog Mavis Signal Flow, Patch Ideas & Eurorack Integration

Here’s a look at the architecture and signal flow of the new Moog Mavis Eurorack synthesizer.… Read More Moog Mavis Signal Flow, Patch Ideas & Eurorack Integration

July 10, 2022July 10, 2022Leave a comment

Erica Synths Perkons HD-01 Sound & Overview Demos

Erica Synths let us know that the first batch of Perkons HD-01 drum synthesizer is completely sold out, but, in spite of the global part shortages, they have the necessary parts for producing a second batch.… Read More Erica Synths Perkons HD-01 Sound & Overview Demos

July 10, 2022July 10, 20226 Comments

Robkoo Intros Futuristic Wind Synthesizer R1

Robkoo has introduced the Wind Synthesizer R1, a futuristic MIDI wind controller instrument, with responsive RGB light bars, motion control, Bluetooth connectivity, customizable hotkeys, onboard sound banks, and a dedicated app.… Read More Robkoo Intros Futuristic Wind Synthesizer R1

July 6, 202220 Comments

A Complete Guide To The Behringer K-2 Semi-Modular Synthesizer

Here’s a complete guide to the Behringer K-2 semi-modular synthesizer.… Read More A Complete Guide To The Behringer K-2 Semi-Modular Synthesizer

July 6, 2022July 8, 202218 Comments

New $499 Two-Voice Mini-Modular Synthesizer, Pluto

Modern Sounds has announced the availability of Pluto, a new compact two-voice mini-modular synthesizer.… Read More New $499 Two-Voice Mini-Modular Synthesizer, Pluto

July 6, 202216 Comments

Teenage Engineering OP-1 Field Review – “It’s So Much Better!”

The Teenage Engineering OP-1 Field features an updated design with 100 new features.… Read More Teenage Engineering OP-1 Field Review – “It’s So Much Better!”

July 5, 202272 Comments

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What People Are Talking About

  • It Looks Like Behringer Wants To Copy The Success Of The M-Wave FM-1....And The MPC
  • Elektron Responds To Explosion Of Unofficial Firmware
  • M-VAVE Officially Opens FM-1 Firmware To Developers With New Workbench, SDK
  • Roland n/vision Synthesizer Expands Boutique Line Into Wavetable Synthesis
  • OPEN-1 Promises To Be One Synth For Every Firmware
  • ACME Synthworks XP60 Recreates Classic Oberheim Xpander As A Compact Analog Synth
  • Twisted Electrons FLEXFM Combines FM Synthesis, Sampling & Analog Filters
  • Arturia MiniFreak 49 In-Depth Review - "Well Worth A Look"
  • Teenage Engineering OP-1 Mod Gives It new Synth Engine, Chords, Effects & More
  • Shear Electronics Relic Features Eight Independent Analog Voice Cores

Something To Think About

That’s right. I find that you’re a completely different person as a maker than you are as a listener. That’s one of the reasons I so often leave the studio to listen to things. A lot of people never leave the studio when they’re making something, so they’re always in that maker mode, screwdriving things in—adding, adding, adding. Because it seems like the right thing to be doing in that room. But it’s when you come out that you start to hear what you like.

— Brian Eno
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