Daniel Lanois Returns To Ambient With ‘Deconstruction’
Here’s a preview of Daniel Lanois’ new album, Goodbye To Language.… Read More Daniel Lanois Returns To Ambient With ‘Deconstruction’
Here’s a preview of Daniel Lanois’ new album, Goodbye To Language.… Read More Daniel Lanois Returns To Ambient With ‘Deconstruction’
Rast Sound has introduced Cinescapes for Kontakt, described as “a versatile toolbox for creating sound environments for diverse moods, as well as ready to go soundscapes and rhythmic ambience elements.”… Read More Rast Sound Intros ‘Cinescapes’ Soundscape Instrument For Kontakt
The Orb has announced a new album, COW / Chill Out World, that they describe as “Our most ambient album yet…”… Read More New Orb Album, ‘COW’, Their ‘Most Ambient Yet’
This video captures an ambient track, Ambient XI, created on a Korg Electribe.… Read More Ambient Music On A Korg Electribe 2
Anti- Records has announced a new album by producer, songwriter and ambient music pioneer Daniel Lanois, Goodbye To Language. Here’s what the label has to say about the upcoming album: Goodbye to Language is the perfect joining of the dots, through the world-changing experiments of his early days with Eno, through his flights through the… Read More Daniel Lanois Returns To Ambient Music With ‘Goodbye to Language’
Sunday Synth Jam: This video, via Midera (Michael Raleigh) captures a live performance that showcases the possibilities of using music gear in ways that the designers didn’t anticipate. Raleigh pairs the Korg EMX-1 with the Eventide Space reverb, taking Korg’s groovebox sequencer into complete different territory.
This video, via Daniel Davis, captures a live ambient improvisation with a Korg Minilogue analog synthesizers.
At the 2016 NAMM Show, we talked with synthesist Craig Padilla, above, about his custom Synthrotek MST Eurorack modular synthesizer.
This video captures an ambient atmospheric performance by synthesist Daniel Davis.
Brendan Landis, who records as Hey Exit, created this sonic thought experiment, taking multiple performances of Erik Satie’s classic Gymnopedie 1, time-stretching each to the same length and then mixing them together.