Frank Serafine On Sound Design
Soundsnap.com presents Frank Serafine was uploaded by: Soundsnap3
Duration: 266
Rating: 
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Tag: sound design
Balloon Bass + Green Big Muff Improv
Balloon Bass + Green Big Muff Improv was uploaded by: balloonbass
Duration: 135
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Spring Reverb Sound Design
Richard Devine explores the sound design possibilities of the Knas Ekdahl Moisturizer, a spring reverb where the springs are exposed so they can be played/hit/fiddled with: I was just playing around this afternoon with various objects, magnets, marbles, tuning forks, mechanical bugs, and slinky coils. Running the audio through a Tiptop Z-DSP. Quite fun. Details… Read More Spring Reverb Sound Design
Diego Stocco + Hans Zimmer Discuss The Experibass, Good Tomatoes
Hans Zimmer and Diego Stocco talk about the Experibass on Sherlock Holmes’ score was uploaded by: DSSessionVideos
Duration: 147
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Sound Design & Scoring Of The Matrix
THE MATRIX – SFX & SCORE was uploaded by: soundesigneryo
Duration: 418
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Sound Design Secrets Of Star Trek
Sound Effects Editor Mark Mangini talks about the sound design secrets of Star Trek, with the focus on Star Trek IV.
New Software Synth, Sonic Fiction, A “Science Fiction Based Conceptual Instrument”
“Sonic Fiction” – New Kore-Powered Instrument from Native Instruments was uploaded by: NativeInstruments
Duration: 203
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Want To Be A Professional Sample Producer?
Zenhiser is looking for some new sample producers, so it’s announced a new Professional Sample Producer Competition. Here are the details: Create your own samples, add them to an audio track in wav format and submit the track to this Soundcloud group Want To Be A Professional Sample Producer it’s that simple. Even if you… Read More Want To Be A Professional Sample Producer?
Designing Synths with Dasz
For LiFT Studios Broadcast 023, Haig Armen talks with Dasz Garncarz, a synth & interface designer, about the challenges of interaction design and his work on the Nord Modular G2 synthesizer.
Don’t Watch This Alone!
This is the awesomely creeptacular Between, a short film by Tim Bollinger. Listen for how effectively the sound design amplifies the creepiness of the visuals. Director/Screenwriter/Producer/Editor: Tim Bollinger Cinematographer: Daniel Meinl Sounddesign: Michael Fakesch designingsounds.com via Oliver Chesler
