Off Topic: The Yaybahar is an acoustic instrument that has such a unique design that the resulting sounds almost seem like they must be electronic. Continue reading
As part of the 2014 Red Bull Music Academy in Tokyo, the Sushi Sequencer was created, ‘celebrating Japan’s many artistic practices’. The Sushi Sequencer brings together two of them: Sushi and music technology.
Here’s what they have to say about the Sushi Sequencer:
The idea was to make a sushi conveyor belt a playable sequencer. While the results in the video are tongue-in-cheek, the technology behind it is anything but:
Helped along by a team from Native Instruments, both Just Blaze and TOKiMONSTA synced music to colored plates on the conveyor belt, making for one of the world’s most delicious music-making machines ever created.
See the RBMA site for more info.
In this episode of the Motherboard series Sound Builders, host Samantha Urbani (Blood Orange) talks with Brooklyn-based, interactive sound artist Adriano Clemente, who proceeds to turn Urbani’s body into an analog instrument. Continue reading
The video for Hitchhiker’s single 11 (Eleven) is a computer-animated journey to the land of WTF. Continue reading
Cicadas is a sound art project, created by Berlin-based musician/sound artist Bob Meanza, that explores the idea of creating artificial ambient soundscapes with robotic insects.
The project is based on small, battery-powered ‘insects’, which are built using programmed AVR microcontrollers and sound emitting components (relays, piezos, buzzers…). Continue reading
Reader Dmitry Morozov – a Moscow-based media-artist, musician and ‘engineer of strange-sounding mechanisms’ – has created a new instrument that uses a tattoo for a score.
Morozov creates experimental electronic music and advocates for circuit bending and DIY electronics in Russia, under the moniker ::vtol::.
Here’s what Morozov has to say about his instrument, ‘Reading My Body':
this is a special instrument that combines human body and robotic system into a single entity, that is designed to automate creative process in an attempt to represent the artist and his instrument as a creative hybrid.
The device consists of a railing with comfortable hand holders and two parallel, but offset from each other black lines’ sensors that move along the arm using a stepper motor. It is equipped with a 3-dimensional Wii remote controller that uses the OSC protocol in order to give a possibility of additional expression achieved by moving hand in space.
Morozov use of tattoos is part of a trend that we anticipated in our 10 Predictions For Electronic Music Making In The Next Decade in 2010 – musical body modifications. Continue reading