Paul Vo has officially launched a project to fund production of the Wond II, the next generation of his hand-held device for exploring ‘acoustic synthesis’.
Vo’s instrument designs, including the Moog Guitar and the Vo-96 Acoustic Synthesizer, explore the idea of using electronics to control the vibration of physical objects and to directly shape the harmonics of the resulting sound.
Vo introduced the original Wond at the 2015 NAMM Show:
Here’s what VO has to say about the Wond II:
During 2016 I developed a new core technology of acoustic synthesis. Significant improvements and amazing new features are now possible.
For example, microphone 134 (see drawinga above) will record a sound – any pitched sound. Imagine this: You press a button and record a sample of your own voice. The Wond II will drive the string’s harmonics to follow your recorded sample. It’s making your string act like an acoustic vocoder. And as you work the Wond closer to your pickups, you hear a re-synthesized sample note in unison with your electric guitar tone.
This one feature turns the Wond II into a hand-held monophonic synthesizer / string-vocoder that perfectly tracks whichever string you apply it to.
Display 115 and selection buttons 117 will let you select from and manage these recordings. We’ll store several at once in the Wond II. We can all review the options for bidirectional data interconnection.
Wireless and USB are two possible choices. What do you think? As a supporter your feedback will help guide such decisions.
The first Wond introduced tactile feedback of string proximity. This is a powerful idea that was not fully realized in the first Wond design. It’s there, but only “sort of”.
The goal with tactile feedback is to create the illusion of feeling the Wond’s magnetic field touching the string as you play. It can be something like way your guitar pick feels to your fingers as you pluck a string. To achieve this illusion convincingly the Wond II’s tactile feedback must be shaped by a far more advanced behavioral algorithm than I was able to squeeze out of the analog circuitry in the first Wond. This is why the Wond II will include a digital subsystem for advanced algorithmic control of tactile feedback.
Pricing and Availability
The Wond II is still under development. Project backers can pre-order the device for US $170, with production expected to take about a year. See Vo’s site for details.
10 thoughts on “Paul Vo Intros Wond II”
This is great!!! Looking forward to Wond II very much!
I want it.
A true innovator.
Makes me wonder how powerful the system is: can it drive anything heavier than regular strings?
I can’t help but think of using a larger piece of metal as an acoustic vocoder.
Sounds crazy, very excited to see more!
I have the original wond, and while it is an interesting device, it doesn’t really have the power to drive things heavier than guitar strings. Bass strings even, are a bit of stretch…it takes a second to get enough vibration going..sometimes with heavier strings I will manually get it going first… You will not be able to make a large piece of metal vibrate with it, unfortunately.
For pieces of metal, a $25 transducer/exciter and a computer would probably do the job.
How is this different than an ebow?
I’m late to this party, but – I just laid out $170 to get involved with the Wond II [the usual disclaimers, I’m not getting any consideration for this] and I’m very excited. I have his original Wond, and I’d like to comment: a) no it’s not an eBow, and b) I suspect even Mr. Vo would agree that the Wond is a first generation device. For me, the exciting thing about the Wond II is the ability to load your own custom waves onto the device and to use those waves to stimulate the strings. Additionally, Wond II is going to be more powerful and capable of grabbing ahold of even the fattest bass strings – he’s got a video demo on his website that shows the Wond II transducer becoming almost alarmingly aggressive with a bass.
So I’m excited. And – I’m not rich, and the Wond II isn’t everyone’s cup of tea – but $170 is a bargain: a lot of FX pedals cost twice as much and don’t provide half the ability to modify your sound.