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Tag: MPC

The World’s First Spinning Wireless DJ Controller


The first ever spinning wireless MPC remote.MOV was uploaded by: rjdtoob
Duration: 419
Rating: … Read More The World’s First Spinning Wireless DJ Controller

March 5, 2010March 5, 20101 Comment

Wipeout Synth Jam


Wipeout – synthjunk style was uploaded by: synthjunk
Duration: 228
Rating: … Read More Wipeout Synth Jam

March 1, 20101 Comment

How To Drum On Your MPC

Brandon Murphy offers his tips on how to drum with your MPC: Some mapping ideas and techniques on pad drumming. This is great not only for performing, but also for programing super fast and speeding up production workflow. Grab the mapping chart and other tips and tricks (lots of Ableton specific stuff too) at brandon-murphy.blogspot.com… Read More How To Drum On Your MPC

February 26, 2010February 26, 201011 Comments

Pure Analog Synthpop


Pure Analog Synthpop was uploaded by: synthjunk
Duration: 216
Rating: … Read More Pure Analog Synthpop

January 13, 2010January 13, 20101 Comment

Beat Kangz’ Beat Thang Coming In Early 2010 For $999

The Beat Kangz have announced they will be shipping the Beat Thang music production center some time in early 2010. The Beat Thang was announced at the 2009 Winter NAMM Show and was expected earlier this year. The Beat Kangz, though, have been busy getting out a desktop app and an iPhone app. The Beat… Read More Beat Kangz’ Beat Thang Coming In Early 2010 For $999

December 16, 2009December 16, 200921 Comments

Pure Analog Electro Synth Jam


Pure Analog Electro Part 2 – powered by real synthesizers was uploaded by: synthjunk
Duration: 263
Rating: … Read More Pure Analog Electro Synth Jam

December 6, 2009December 7, 2009Leave a comment

AKAI MPC2500SE Coming In January

AKAI has announced that the AKAI MPC2500SE will be shipping in early 2010. Description: The Akai Professional MPC2500 SE Special Edition Music Production Center combines a 64-Track MIDI Sequencer with a 32-voice 16bit Stereo Digital Sampler. The MPC is a rock solid sequencing and drum programming machine with 16 velocity and pressure sensitive rubber pads.… Read More AKAI MPC2500SE Coming In January

December 1, 2009December 1, 200910 Comments

Use Ableton Live To Chop Samples Like An MPC


use ableton live to chop samples like an mpc was uploaded by: SoundsAndGear
Duration: 474
Rating: … Read More Use Ableton Live To Chop Samples Like An MPC

November 15, 2009November 15, 20094 Comments

Pure, Unadulterated Analog Synth Power


Pure analog electronica using classic synths sequencers and drum machines was uploaded by: synthjunk
Duration: 274
Rating: … Read More Pure, Unadulterated Analog Synth Power

November 10, 20094 Comments

SONiVOX Sampla Hip Hop Production Sampler

Boston based virtual instrument manufacturer SONiVOX has introduced Sampla – Hip Hop Production Sampler, a new virtual sampler plug-in for MAC and PC designed for fast sampling and beat creation for hip hop producers. Features: MPC style editing & slicing for easy instrument & beat creation Imports Wav, Acid, Broadcast Wav, Aiff, & MP3 Format… Read More SONiVOX Sampla Hip Hop Production Sampler

October 21, 20091 Comment

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What People Are Talking About

  • It Looks Like Behringer Wants To Copy The Success Of The M-Wave FM-1....And The MPC
  • Moog Music Launches Model 112 and Model 210, Amps Designed for Electronic Instruments
  • Will Open Firmware Become the Next Big Trend in Electronic Music Gear?
  • Behringer Teases $200 Polykeys 61 MIDI Controller With Polyphonic Aftertouch
  • Behringer Vibe Matrix Promises To Be Anything You Want It To Be (With Vibe Coding)
  • Behringer Teases Knockoff Of Classic E-mu SP-1200 Sampling Drum Machine
  • Detroit Techno Pioneer & Electronic Music Visionary Juan Atkins Has Died At The Age Of 64
  • Behringer Polyeight Synthesizer Adds Two Voice To Classic Korg Polysix Design
  • InMusic Creator Lab Bringing Open Platform 'Vibe Coding' To 2027 NAMM Show
  • First Love FM Synthesizer Now Available

Something To Think About

After having weighed up the advantages of the virtual, today we’re realising that we’re made of flesh and blood and we have an absolute need for an emotional and tactile relationship with our instruments.

— Jean-Michel Jarre
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