Sound Magic Wants Your Input On Orchestral Strings

free-orchestral-strings-oneSound Magic wants your input on the next version of Orchestral Strings:

We are busy with Orchestral Strings One Version 2.0. In order to make it much better than Version 1.0, we need your valuable opinions about which direction it should take. If you shared your opinion with us, you will have the chance to win at least 29 Euros worth of software.

Here are the details:

Date: From now until Feb 16th

Rules:

Here is the introduction of Orchestral Strings One

http://www.kvraudio.com/product/orchestral-strings-one-by-sound-magic

After you test it or read about it, you can share your opinion about:

1. What’s the good point need to keep in Version 2,0? Please be detailed and explain why
2. What’s doing wrong in current version? Please be detailed and explain why
3. What’s need to add in Version 2.0? Please be detailed and explain why
Please Email to [email protected] to join the offer. The Winners will be judged by how detail and how good of the explainations of the opinions.

The winners will win at least 29 Euros worth of Sound Magic Plug-in. No limit on the number of winners! And the highest possible prize may worth up to 1000 Euros.

Winners will be announced after Feb 23rd.

6 thoughts on “Sound Magic Wants Your Input On Orchestral Strings

  1. the knobs are generally useless, they blink around and sometimes seem to be static in function, and the attack times are only usable for pads and atmosphere. decent for a freebie, but as far as comparison goes, theres a alot of high quality string libraries out there that sound amazing, its gonna be a whole lotta work to bring this ‘up to par’ as a retail product.

  2. From their initial description I thought you get separate violins violas cellos and basses. “Our full string orchestra contains 14 violins, 10 Violas, 8 Cellos and 6 Double Basses.”
    Not all of them played simultaneously, which you find out after downloading unless you read further (I have not). Not what I expected, especially for its size. Since I prefer separate sections, as in real orchestral arrangements, it is practically useless.

  3. Skip this. It just not is at all not what you think it is not that. [I’m trying to make a joke, but it’s really bad]

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