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Tag: software tutorial

Novation Ultranova Unboxing & Overview


Novation Ultranova Setup & Unboxing was uploaded by: NovationTV
Duration: 340
Rating: … Read More Novation Ultranova Unboxing & Overview

April 4, 2012April 4, 201217 Comments

Free Bro-Step Synth For OS X


Bro-Step v1.0 was uploaded by: rishabhrajan
Duration: 223
Rating: … Read More Free Bro-Step Synth For OS X

March 2, 2012March 2, 20125 Comments

Swar Systems Intros Swar Studio, ‘The Bollywood DAW’


Swar Studio Demo.mp4 was uploaded by: SwarSystems
Duration: 433
Rating: … Read More Swar Systems Intros Swar Studio, ‘The Bollywood DAW’

February 23, 20124 Comments

Logic Pro vs Reason vs Ableton – Which Is Best For Music Production?


Differences Between Logic Pro, Reason and Ableton – Producertech.com was uploaded by: loopmasters
Duration: 649
Rating: … Read More Logic Pro vs Reason vs Ableton – Which Is Best For Music Production?

February 10, 2012February 12, 201289 Comments

Live Vocal Processing With Ableton Live


Ableton Live Tutorial: Vocal Processing Effects + Live Performance Tips was uploaded by: DubSpot
Duration: 979
Rating: … Read More Live Vocal Processing With Ableton Live

February 8, 2012February 8, 20123 Comments

Moog Animoog Video Tutorial


Moog Animoog iPad / iOS Sound Design Tutorial Pt 1: How to Get Started was uploaded by: DubSpot
Duration: 758
Rating: … Read More Moog Animoog Video Tutorial

February 1, 2012February 1, 2012Leave a comment

FL Studio Performance Mode & TouchOSC (Sneak Preview)


FL Studio Alpha Testing | Performance Mode & TochOSC was uploaded by: imageline
Duration: 106
Rating: … Read More FL Studio Performance Mode & TouchOSC (Sneak Preview)

November 13, 2011Leave a comment

Slice n’ Dice Audio In Ableton (Funky Drummer Mayhem)


Slice n’ Dice In Ableton – Part 1: Slice To Midi was uploaded by: ryandmca
Duration: 439
Rating: … Read More Slice n’ Dice Audio In Ableton (Funky Drummer Mayhem)

August 27, 2011August 27, 20112 Comments

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Something To Think About

The way that I work in the studio and the way Plateaux was done for the most part is that I’m listening to the atmosphere at the same time that I’m playing so that the treatment influences what I play. If you just play the ‘dry’ piano and then you try and go back and make it into something else, it doesn’t have the immediacy or the impact that it could have if played directly against the atmospheric treatments.

— Harold Budd
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