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Tag: vocal

How to Chop Vocals in Ableton Live


How to Chop Vocal Melodies in Ableton Live was uploaded by: ohdratdigital
Duration: 637
Rating: … Read More How to Chop Vocals in Ableton Live

July 21, 201211 Comments

iRig Mic + VocaLive At Winter NAMM 2011


iRig Mic and VocaLive Featured in the IK Booth at Winter NAMM 2011 was uploaded by: ikmultimedia
Duration: 217
Rating: … Read More iRig Mic + VocaLive At Winter NAMM 2011

January 22, 2011January 22, 20117 Comments

ImproVox Turns Your iOS Device Into A Real-Time Vocal Effects Processor


ImproVox – improvising choral sounds was uploaded by: museami
Duration: 41
Rating: … Read More ImproVox Turns Your iOS Device Into A Real-Time Vocal Effects Processor

January 10, 2011January 9, 2011Leave a comment

GyroSynth Synth Jam


GyroSynth for iPhone 4 was uploaded by: beepstreetapps
Duration: 83
Rating: … Read More GyroSynth Synth Jam

September 14, 2010September 14, 2010Leave a comment

IRCAM Tools Sound Design


TRAX Transformer – Lesson One was uploaded by: FluxPlugins
Duration: 84
Rating: … Read More IRCAM Tools Sound Design

August 4, 2010August 4, 20101 Comment

New iPhone Vocoder, Virsyn iVoxel, Let’s You Talk Like Daleks, Play Talking Basslines


iVoxel was uploaded by: virsyn
Duration: 251
Rating: … Read More New iPhone Vocoder, Virsyn iVoxel, Let’s You Talk Like Daleks, Play Talking Basslines

July 22, 2010July 22, 20108 Comments

Record 1.5 Adds AutoTune Via Neptune Pitch Adjuster


Neptune Pitch Adjuster for Record 1.5 was uploaded by: PropellerheadSW
Duration: 142
Rating: … Read More Record 1.5 Adds AutoTune Via Neptune Pitch Adjuster

May 26, 2010May 26, 201011 Comments

Ableton Live Tip – Quick Vocal Stuttering Sound


Tom Cosm – Quick Vocal Stuttering Sound was uploaded by: cosmcosm
Duration: 111
Rating: … Read More Ableton Live Tip – Quick Vocal Stuttering Sound

May 9, 2010May 8, 2010Leave a comment

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Something To Think About

If I have an 8-note sequence, I might program the Moog so that the first note is bright, the second less bright, the third even less bright, and the fourth note maybe brighter again — so you get a kind of sine wave move.

Now, in the opposite channel, I might do the same sequence, but program the filtering differently. Add the delays, and you have a repeating cycle that never repeats exactly in the same way.

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