The MiniBrute was one of most popular introductions from last year’s NAMM Show, packing a huge number of features into a one-oscillator analog monosynth. With a street price around US $500, the MiniBrute’s biggest limitation seems to be availability.
At the 2012 NAMM Show, I had the opportunity to talk with composers Amin Bhatia and Dave Gross about a project that they were starting – a surround sound version of Bhatia’s orchestral electronica classic, The Interstellar Suite.
Bhatia is probably best known for his soundtrack work for television, film and iMax projects, including Flashpoint, Iron Eagle II, and John Woo’s Once A Thief.
But Bhatia kicked off his career with an orchestral electronica album, The Interstellar Suite, that was inspired in part by his love of the soundtracks of John Williams and Jerry Goldsmith and in part by the classitronica works of synthesists like Isao Tomita. The suite features 9 sections, orchestrated for layers of synthesizers (Roland JX 10; Yamaha TX 816; Oberheim Expander; and a Minimoog) and a pair of crash cymbals.
Fisher takes a thorough walkthrough of its parameters and features, with plenty of audio demos. The Minibrute can be controlled with CV, MIDI, or USB-MIDI, and it’s even got an external audio input that lets you run signals through the multi-mode filter and amplifier sections.