didgeridoo
Articles about didgeridoo:
TribalNeed Live At Bal Harbour
TribalNeed (Riccardo Moretti) performs live at Bal Harbour (Sardegna).
The performance features a really cool location and Moretti’s unique ambient techno world improvisations.
Zero-G has introduced Rhythm Organism – a sample library of electronic didgeridoo sounds, played by Charlie McMahon.
Description:
Charlie McMahon has been a master of the didgeridoo from an early age and is one of Australia’s most acclaimed players of this instrument.
From traditional style didjs through to Seismic Face Bass and the newly launched Didjeribone (Sliding Didj). Charlie has always pushed the barriers of musical sounds, blending driving rhythms with an outback ambience.
Charlie has played on soundtracks for the films; Priscilla Queen of the Desert, Mad Max and The Bear. He has recorded and performed with Snakefinger, Janes Addiction, Def Fx, Carlos Peron, Condo Ima, Keith Urban, Midnight Oil, The Royal Philharmonic Orchestra and many others.
Formats supported include:
- Acid WAV
- Apple Loops
- Stylus RMX
- Rex2
- Reason Refill
Features:
- 600 REX2 files
- 800 Acidized WAV files
- 800 Apple Loops
- Seismic Face Bass Groove
- Wood Grooves
- Slide Grooves
- One Shots for effects and drums
- Special Combinator effects
ES Posthumus – Unearthed
ES Posthumus’ debut CD, Unearthed, is a collection of world orchestral dance electronica, not foo far from the territory pioneered by groups like Enigma and Deep Forest. E.S. Postumus manages to top both these predecessors with convincing orchestral writing, dynamic percussion work and creative synth work.
While Enigma’s best-known work combines gregorian chant with dance electronica, and Deep Forest explores world music in an electronica context, E.S. Posthumus draws on romantic influences, like the choral work of Verdi and Orff. The use of a full choir and orchestra on some tracks lends an emotional depth to the pieces that is missing in many of these blends. Because of the eclectic influences that E.S. Posthumus draws upon, you never know what’s going to pop up in a song, or what direction that the tracks may veer off into.
