Synth designer Rob Papen shared this MIDI controller concept, RP-Control, via his Facebook page.
At this point, he’s just floating the concept for RP-Control to get input on the idea and to gauge interest. Continue reading
The Kickstarter fundraiser for Imitone – a ‘mind to MIDI’ app for Mac & Windows is down to its last 24 hours. It’s already fully funded, at close to 4 times the original funding goal.
The above video is a demo of Imitone in action. In the video, alpha tester Robin Lomax Bjerke explores using Imitone to control a Kontakt 4 cello virtual instrument, with control of expression and vibrato. Continue reading
Why is it spherical? Why not just use a keyboard?
These are the first questions a lot of musicians have when they see the AlphaSphere MIDI controller. Nu Desine has released a series of videos that look at the these questions, exploring the design ideas underlying the AlphaSphere and how the new instrument works with DAWs and synths.
In this video interview, musician Imogen Heap demonstrates her MIDI gloves, which are being developed for production as a Kickstarter project. The interview was filmed at Heap’s home studio outside London.
“These beautiful gloves help me gesturally interact with my computer,” says Heap.
Pushing buttons and twiddling dials “is not very exciting for me or the audience,” she adds. “Now I can make music on the move, in the flow and more humanly, and more naturally engage with my computer software and technology.” Continue reading
Designer Keith Baxter has introduced a new 3D MIDI controller, the Kyub.
The Kyub is a maker-friendly, open-source DIY MIDI controller. Capacitive sensing gives the Kyub extremely sensitive action and an internal accelerometer allows the volume of each note to be precisely controlled, for versatile musical expression.
The internal circuitry monitors each of the keypads to immediately detect even the lightest finger touch reflected in a capacitive disturbance. Acceleration of the Kyub housing associated with a finger touch is converted to a note loudness which, together with a pitch determined by the keypad, is transmitted over a USB cable in standard MIDI format. The Kyub has low latency (on the order of 3 ms) providing a highly responsive musical experience.
You can attach multiple Kyubs to a computer synthesizer or digital audio workstation for solo play, jamming with friends, or composition. Continue reading
Developer Peter DeSimone has announced a Kickstarter project to develop a production version of the AirHarp – an open-source ultrasonic digital autoharp MIDI controller that’s sort of like the theremin of harps.
The AirHarp responds to hand gestures and translates them into MIDI. You play the AirHarp by moving your hand through the air, ‘strumming’ virtual harp strings much like a theremin player controls pitch by the position of her hand. You can control which strings are playable using the fingers of the hand that holds the AirHarp.
The AirHarp is open source, based on Arduino, and DeSimone provides instructions for building a DIY version on his site. The Kickstarter project goal is to build production AirHarps in large enough volume to get the price of pre-assembled AirHarp instruments down to US $100 each.
Here’s DeSimone introducing the AirHarp and how to use it: Continue reading
Developers of Imogen Heap‘s music glove controllers have announced a Kickstarter project to turn them into a production controller – the Mi.Mu. Glove For Music.
Here’s what they have to say about the Mi.Mu.:
The gloves are the product of years of research and development, building upon original research at University of the West of England. The project was initiated and continues to be driven by musician Imogen Heap along with a team of engineers, scientists, artists and musicians.
A number of iterations of the gloves have been designed, aimed predominantly at producing a gestural performance system for Heap.This culminated in a performance system which can be seen in footage from some of Imogen’s demos and performances.
While the system was incredibly powerful and expressive, it was also incredibly complex to set up. It required the attention of a team of people, not to mention the days of intense advanced MIDI routing and Ableton Live programming to create the mappings and session used in Imogen’s first glove song, Me The Machine, which is included with many of our Kickstarter pledges.
We wanted everyone to have the experience of being inside these gloves without as much of the complexity in Imogen’s original system. We wanted to make a wireless glove that almost any musician could adapt to their way of making music. The last 18 months have seen re-design after re-design of the glove textiles, hardware and software and we have finally arrived at a point where we can make them available to others through this Kickstarter.
Here’s the official video intro: Continue reading