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The Pink Noise Sessions, an EP from punk/electropop band A Kiss Could Be Deadly, reworks the eighties sounds of bands like Berlin but throws in punk and even goth elements to create something new.
The group, made up of Lauren Baird - Vocals, Chris Qualls - Synthesizers, Programming, Tim Floyd - Guitar, Kelly Cairns - Bass […]

Peace Love Productions, a provider of royalty free loops and music samples, now offers new downloadable loop packs direct from their web site.
In anticipation of the release of ACID 6, Peace Love Productions is offering downloadable loop packs. The genres cover Reggaeton, Hip Hop, Trance, Break Beat, Latin House, Euro, Electro, Country, and Dj FX.
Each […]

BT’s soundtrack to Stealth, an action movie about 3 top gun pilots that have to deal with a robotic fighter plane gone bad, seems promising, because it provides BT with the opportunity to mix his trademark hyperkinetic production style with full-on orchestral power.
Unfortunately, the soundtrack CD is a bit of a disappointment. While there are […]

The latest album from UK electronica pioneers Orbital, entitled the Blue Album, finds the Hartnoll brothers returning to their roots. The Blue Album makes no concessions to current trends, instead staying close to the sound Orbital created on their earliest releases. The CD, which said to be their last, is a fitting finale.
The Blue Album […]

Zero-G has added to their expanding range of Reason Refill libraries with the launch of Chemical Synths Refill, a brand new title conceived, assembled and produced by accomplished game and independent movie composer, Jonathan Heslop.
Having already produced Zero-G’s Ambient Textures Refill, Jonathan’s hands-on appreciation of Propellerhead’s Reason software capabilities in his own music projects results […]

Cox delivers a mixed bag of techno and house dance tracks on Phuture 2000. At its best, Phuture 2000 is state-of-the-art minimal dance music. Even at its worst, the music sounds just sounds like Cox needed a couple of tunes to pad out the album.
“Phuture 2000″, the title track, is a futuristic techno track that […]

Moby’s 1999 release has eighteen cuts, and eighteen of them were picked up for use in commercials and movies. On Play, Moby blends emotional blues and soul samples with colder electronic sounds. The result is an often upbeat, spiritual sound.
Much of Play sounds like it could be a remix album of blues and gospel tunes. […]