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Tag: Juce

JUCE 7 Now Available, With Updated API Support, Improved Graphics & More

The JUCE Team has released JUCE 7, a major update to the open-source cross-platform C++ application framework, used for the development of desktop and mobile audio applications.… Read More JUCE 7 Now Available, With Updated API Support, Improved Graphics & More

June 21, 20223 Comments

PACE Acquires JUCE Audio Development Platform From ROLI

PACE Anti-Piracy, developers of iLok, has acquired JUCE, a leading cross-platform audio development platform, from ROLI.… Read More PACE Acquires JUCE Audio Development Platform From ROLI

April 22, 2020April 22, 202022 Comments

10 Years Later, Android Audio Quality Still Lags

Based on testing of over 200 devices, audio latency on Android devices is 4 1/2 times that of iOS devices. And the average ‘glitchiness’ of audio on Android devices is over 30 times that of iOS devices.… Read More 10 Years Later, Android Audio Quality Still Lags

February 17, 2018February 17, 201823 Comments

JUCE 5 Streamlines Mobile, Cross-Platform Audio App Development

ROLI has announced JUCE 5 – a major update to the cross-platform audio development platform. … Read More JUCE 5 Streamlines Mobile, Cross-Platform Audio App Development

May 1, 2017Leave a comment

Roli Unveils Equator Synthesizer, Because More Powerful Controllers Need More Powerful Synths

In the last few years, there has been an explosion of innovation in the area of MIDI controllers, like the Roli Seaboard Grand multi-dimensional controller, above. Today at Musikmesse 2015, Roli, the creators of the Seaboard Grand, introduced new cross-platform synth that’s specifically designed for advanced multi-dimensional controllers, Equator.

April 15, 2015August 22, 20176 Comments

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Something To Think About

You might consider it a revolutionary idea that, instead of having hundreds more controls and higher quantities of synthesis elements from 40 and 50 years ago like oscillators, filters and envelopes, how about having a better human interface for creating synthetic sounds?

— Roger Linn
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