Virtual Instruments

There’s an early review of Berna – the virtual studio app that recreates a 50’s electronic music lab – at Waveformless.

They say there’s a lot to like in Berna:

The flexibility of the matrix and the vast array of unusual sound manipulators will be a breath of fresh air to those burned out on the virtual analog trance machines that seem to get released every week. The limitations present here are faithful to what the original studios were limited to, and sometimes having those kinds of restrictions can lead you down very interesting paths you might not otherwise travel.

For sure, this isn’t the most useful piece of software in the world (to most of us), but it’s really hard to find fault anywhere with the program. The sound quality is great, the tools are weird and fun to play with (it drove my cats NUTS), and you can learn a bit about the history of your craft in the process. If nothing else, it’ll certainly give you an appreciation for how easy modern electronic composers have it.

So if you’d like a break from the norm and feel up to making some crazy 1950’s sci-fi soundtrack fodder, it’s hard to go wrong for a mere 10 Euros. [9/10]

See the full review at Waveformless.

Free Music Software: Artifake Labs have released the RedTron_400, a software version of the Mellotron M400. Read more…

Synthesis has changed a lot since the days of Switched On Bach – and it’s getting to the point that recordings of virtual instruments, and even virtual orchestras, are nearly indistinguishable from the “real” thing.

Of course, this begs the question – what is the real thing?

How close are virtual orchestras coming to traditional orchestras?

You be the judge.

I’ve embedded an example below that contains short sections from three symphonies, by Beethoven & Schumann. See if you can identify the one that is virtual – and if you can articulate why you think it sounds “virtual”.

Image: jordanfischer

Modartt has released Pianoteq Pro – the advanced version of Pianoteq. Its major feature over Pianoteq is per note adjustment for physical parameters.

Features:

• Note per note adjustment for 22 physical parameters: detune, unison width, direct sound duration, hammer hardness piano, hammer hardness mezzo, hammer hardness forte, spectrum profile, hammer noise, strike point, pickup symmetry, pickup distance, impedance, cutoff, Q factor, string length, note resonance, quadratic effect, damper position, damper duration, damper noise, key release noise, volume. Restricted to detune and volume in the Standard version.
• Internal sample rate available up to 192 kHz. Restricted to 48 kHz in the Standard version.

Pianoteq Pro is available now for windows, Mac OS X and Linux for 399€.

Read more…

This is a preview of Pocket Organ C3B3, programmed by Shinya Kasatani, the creator of Pocket Guitar. Pocket Organ C3B3 simulates the draw bar controls and Lislie speaker system of a Hammond B3/C3 organ.

While this may be interesting from a technical standpoint – it’s hard to see how a tiny touchscreen Hammond organ is going to be musically useful. Wouldn’t it make more sense to put the same effort into creating original instruments, designed to make the most expressive use of the iPhone platform’s capabilities?

No release date or pricing has been announced for C3B3 yet.

via koyamatsuo