New App, Caramel, A Distortion, Crusher & Fattener Effect For Audiobus & Inter-App Audio

Holderness Media has released Caramel - a stereo distortion, crusher and fattener effect, designed for Audiobus and Inter-App Audio.

According to the developer, ‘Caramel is perfect for adding lo-fi grit and punch to drums, bass, synths, guitar and more.’ Continue reading

New App, AltiSpace, Turns Your iOS Into A Studio Quality Reverb Processor

iMusicAlbum has introduced AltiSpace, a convolution reverb for iOS.

AltiSpace includes a large built-in library of the high quality reverb impulses, based on classic hardware reverbs. It also lets you load your own reverb space impulses

You can use this AltiSpace with Inter-App Audio hosts (like a DAW, Recorders or Audio file managers) or with Audiobus. It also can be used with external audio interfaces for real-time sound processing. Continue reading

Free Glitch Delay Plugin For Mac, Windows – Glitchmachines Hysteresis

Hysteresis_UI

Glitchmachines has introduced Hysteresis, a free glitch delay effect plug-in, for Mac & Windows, geared toward creating ‘robotic artifacts and abstract musical malfunctions’.

Hysteresis features a delay effect with stutter, lowpass filter and modulation effects thrown into the feedback signal path.

Here’s what they have to say about Hysteresis: Continue reading

Jellyfish V2 Modular Delay For Eurorack Synthesizers

jellyfish-modularPlankton Electronics has released the Jellyfish V2 Modular - a PT2399 based delay in Eurorack format.

With 17HP it includes an input pot with saturation red led, a mix section, a LFO with an external output, Time, Fine and Feedback controls with infinite feedback, a sync input and many modulation possibilities.

Controls:

  • IN: attenuator for the incoming signal. The associated red led will start to glow just a few mV before the signal is clipping inside the delay IC. Note that when extreme feedback is used the led will glow independently of the incoming signal.
  • WET & DRY: mix pots for the signals. WET control the amount of delay sent to the output while DRY sends the input signal directly to the out.
  • TIME & FINE: delay time pots. The main control of the module. Turn it to get delay times from 27 to 570 mseg. NOTE: When powering up the machine these controls can not be in it’s lower position or the IC will not work. Turn it up a little bit before.
  • FDBCK: feedback control. This is the amount of delayed signal that is send again inside the delay. It goes from 1 repetition to infinite.
  • RATE: The frequency of the LFO.
  • DEPTH: The amount of LFO signal that is sent to the time parameter of the delay. Very useful for create vibrato effects or other crazy deep sea sounds.
  • WAVE: choose between a square or triangle wave for the LFO.
  • CV TIME: attenuator for the incoming CVT signal.
  • CV FDBCK: attenuator for the incoming CVF signal.
  • CV WET: attenuator for the incoming CVW signal.

Continue reading

Sinevibes Intros Turbulence 2 Distortion Processor

Turbulence

SineVibes has introduced Turbulence 2, a distortion processor that “bends” and “curls” the input signal in real time, transforming it into synthetic textures.

Here’s what they have to say about Turbulence:

Even the most basic waveforms instantly become rich sounds with great density and character. Almost all of Turbulence’s parameters are animated by an extremely flexible sequencer with each of its 32 steps having individual transformer model, curve, modulation envelope – allowing easy creation of complex, lively rhythmic soundscapes. Turbulence can also store eight full snapshots of itself within a single preset, letting you switch them during performance or via host automation.

Controlling all of this technology is never hard thanks to Turbulence’s clean and simple, colour-coded user interface. It is rendered by your Mac’s graphics processor which means super-swift responsiveness and zero effect on audio performance. And with subtle animations of parameter changes, using Turbulence is always nothing but a pleasure.

Continue reading