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Author: synthhead

Korg M1 For Nautilus Gives Their Latest Workstation An ’80s Injection

Korg has introduced M1 for Nautilus, a free pack that takes the workstation back to the ’80s.… Read More Korg M1 For Nautilus Gives Their Latest Workstation An ’80s Injection

November 1, 20221 Comment

MIDI Blaster Controller Campaign Fully Funded In 2 Hours

this.is.NOISE today launched an Indiegogo campaign to fund production of the MIDI Blaster, a MIDI controller featuring 4 infrared sensors and RGB LED’s, designed to give you gestural control over 4 effects.… Read More MIDI Blaster Controller Campaign Fully Funded In 2 Hours

October 31, 202217 Comments

Intuitive Instruments Exquis Expressive Controller Kickstarter Blows Past Funding Goal

The Exquis is a new expressive MPE controller that features a hexagonal isomorphic keyboard, MIDI In/Out, CV/Gate out for controlling analog gear, and a variety of configurable controls.… Read More Intuitive Instruments Exquis Expressive Controller Kickstarter Blows Past Funding Goal

October 31, 20229 Comments

Spooky Halloween Theremin Music With Carolina Eyck

Thereminist Carolina Eyck shared this original composition, exploring the ‘spooky’ side of the theremin.… Read More Spooky Halloween Theremin Music With Carolina Eyck

October 31, 2022October 31, 20222 Comments

Synclavier Regen Hands On Demo

In his latest loopop video, host Ziv Eliraz takes an in-depth look at the Synclavier Regen, which debuted at Synthplex 2022.… Read More Synclavier Regen Hands On Demo

October 28, 2022October 28, 202233 Comments

Synclavier Regen Synth Debuts At Synthplex 2022

The Synclavier Regen offers the power of the Synclavier II DSP engine, enhanced and optimized. The Regen features a color screen, ‘liquid-like’ touch controls, high fidelity audio output, paired with a powerful synth engine.… Read More Synclavier Regen Synth Debuts At Synthplex 2022

October 28, 20228 Comments

Bleep Labs Sensory Coupler Lets You Control Your Modular Synth With Touch, Proximity, Magnetic Fields, Motion & More

Are your ready to couple your senses? … Read More Bleep Labs Sensory Coupler Lets You Control Your Modular Synth With Touch, Proximity, Magnetic Fields, Motion & More

October 27, 20226 Comments

Akai Professional Intros AIR Flavor Pro Effects Plugin for MPC

Akai Professional has introduced AIR Flavor Pro effects plugin for MPC, a lo-fi multi-effects plugin, designed to manipulate samples, melodies, loops, and instruments to add retro flavor.… Read More Akai Professional Intros AIR Flavor Pro Effects Plugin for MPC

October 27, 2022October 27, 202210 Comments

Akai Professional Intros MPK Mini Plus MIDI Controller

The controller packs a lot of capability into a compact device, including 8 assignable 360-rotary knobs; Chords and Scales Modes; transport controls; a joystick controller; and analog CV/Gate and Sync I/O.… Read More Akai Professional Intros MPK Mini Plus MIDI Controller

October 27, 2022October 27, 202211 Comments

Gamechanger Audio Motor Synth II Sneak Preview

Gamechanger Audio shared this pair of video demos of the new Motor Synth II, an updated version of the company’s unique electro-mechanical synthesizer.… Read More Gamechanger Audio Motor Synth II Sneak Preview

October 27, 20224 Comments

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What People Are Talking About

  • It Looks Like Behringer Wants To Copy The Success Of The M-Wave FM-1....And The MPC
  • Moog Music Launches Model 112 and Model 210, Amps Designed for Electronic Instruments
  • Will Open Firmware Become the Next Big Trend in Electronic Music Gear?
  • OPEN-1 Promises To Be One Synth For Every Firmware
  • Roland n/vision Synthesizer Expands Boutique Line Into Wavetable Synthesis
  • Behringer Teases Knockoff Of Classic E-mu SP-1200 Sampling Drum Machine
  • M-VAVE Officially Opens FM-1 Firmware To Developers With New Workbench, SDK
  • Behringer Teases $200 Polykeys 61 MIDI Controller With Polyphonic Aftertouch
  • Behringer Teases EMS VCS3 Matrix Synthesizer Copy For 9th Year
  • Analogue Solutions Series 700 Recreates the Roland System 700 Modular Synth

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I knew the difference between white and black keys, but that was about it.

— Peter Baumann
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